XY is not a conformation, but a seamless flow between opposites. MAX.TAN’s Fall/Winter 2015-16 collection presents a concept not just simply of women in menswear, or men in frocks; it is a collection that reconstructs her boyfriend’s wardrobe, a state of gender neutralizing.
The interpretation of the folds of pocket squares in men’s jackets, a tunic featuring asymmetrical folds and skirts incorporating origami elements. Geometrical draping and robe dressing form a collapsing silhouette for the collection, spliced-tailoring on centre-back and sides on traditionally mascoline fabrication of will and felt, e.g. floating handkerchief cuts combined with strict shirts.